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When we look at the insert, the first thing we notice is the familiar Advanced view that used to be a staple of VocalSynth. It doesnt have quite the same authoritative response as the Biovox, but it provides some attractive full-spectrum modulation while clearly, and surprisingly, hiding a bunch of gain reduction and resonance.

The engineering team at iZotope has taken the vortex chamber to a whole new level, with the FV3 and FV2. Just like the old FV2, theres only one knob that controls sound. Unlike the original though, the FX 2 is again fully spectral and offers different chorus modes (FV3: choice of two), as well as a unique compression algorithm.

And the Compuvox is a real treat. The first time you see it, it can be difficult to understand why anyone would ever need the small, desktop synthesizer variant of an effect they already have on the flagship collection. But once you see the Compuvox, you realise why. It gives a spectrum-like bloom in a simple but lush way. Your vocals seem to have a full spectrum of formant frequencies, which at first seems confusing, until you realise that most of that is being reserved for the sub-bass and midrange-dominated channels that tend to leak back in. The first time you turn it on you hear the effect as a separate bus in your DAW, but its good to know that its actually shaping the sound of the VocalSynth sound itself.

What about the VocalSynth Looper, though? It sounds OK, but it doesnt quite do the job that the old one did. Granted, it still works well for songwriting (switching delays or echoes in the back of songs) and gives you a kind of crude beat on the fly in instances when you might want to add a kind of staccato to your vocal. It also adds a bit of richness and body to the lower-midrange channel of the VocalSynth, which is great for building up from a clean line. From a sonic perspective though, its a total design mess: what was a far more effective multiple loop approach on the original is now just a really messy, instrument-like mess. There was a time when the looper was perfect for a vocal in scenarios where the synth player wanted to play multiple vocal parts, all of which came through a single chain, before mixing.

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The VocalSynth Fire is a powerful tool for creating vocals that sing with authority and integrity. The VocalSynth Fire was created by iZotope to address the need for a powerful synthesis engine that is easy to use and does not require additional custom programming.

This Agreement includes iZotope’s terms and conditions for new purchases of iZotope products. These terms and conditions will govern any new sales of the Software. If you have previously purchased the Software, this Agreement will govern any sales of the Software to you, regardless of the form of the sale or whether the Software is the subject of the sale. Please read these terms and conditions carefully before you receive the Software. You can review the complete terms and conditions for new purchases by contacting the Customer Service Center by using the Account Services link. Please include the serial number, or other documentation that iZotope provided to you, in your inquiry.

Download: Sign In to download iZotope VocalSynth. You will need to enter the serial number that was assigned to you by iZotope. If you do not have the serial number, please contact the Customer Service Center. There is more information regarding registration and the serial number on the Account Services page.

Delivery: Sign In to download iZotope VocalSynth Patched. You will need to enter the serial number that was assigned to you by iZotope. If you do not have the serial number, please contact the Customer Service Center. There is more information regarding registration and the serial number on the Account Services page.

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VocalSynth 2 was my first foray into adding effects to my vocal tracks and I was quite impressed at its capabilities. Although its for Mac only right now, this could potentially be a great way to get into vocal effects without having to own expensive software. The VocalSynth 2 is not quite a vocal shaper by any means and its absolutely no replacement for any of the many synth effects you can get, but like I said before, its a great tool to have in your arsenal.

Lets just say that iZotopes VocalSynth 2 is one of the most capable software effects and vocal plugins Ive tried. It has the versatility and quality youd expect from iZotopes stable. Combining all of the features from v1, but adding a couple of interesting features along the way, this plugin is easy to use.

Before I even begin with this review I have to say that I love iZotope. I love their products and they are around a company that I always trust. If they say something then they really believe it. I was impressed from the moment I heard the first song on the Website. I was instantly drawn in and bought the plugin the next day and everything after that has just been a delight. I have had the original version of VocalSynth 1 for a long time and that version was at the top of my list. Of course there were a lot of great things that made it sound so good. The drums were great. The top end was booming, everything that you could use to impress your clients was there and I was very happy with the plugin. But let’s face it the only reason I bought VocalSynth 1 was because of the unique features. I was looking for a plugin that would do that feature set but I wanted something with a little more depth to it. And let’s face it, VocalSynth 1 just did not have that. When version 2 was released, I was beyond excited. I could finally have that plugin I wanted for so long. I had no idea it would be this good. I am happy to say that VocalSynth 2 takes all the great things of VocalSynth 1 and puts them to work. The updated engine sounds amazing and is much more robust than the VocalSynth 1. There is no more bottoming out and it is a lot more stable when I use it with a pedal.

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What’s new in iZotope VocalSynth

New Channel Strip. Select the Wave Channels option to use the VST update to limit the effects to one waveform at a time.
Optional controls. Hide or lock the EQ presets to make it easier to quickly switch between presets.
Large user interface. Five new preset panels, plus additional tabs, to make navigating your presets more efficient.
Auto Display. If desired, this option makes the preset panels automatically appear on start-up, saving you from having to click the “show channels” button.
Paint. Explore the editable curves to dial in the perfect preset for your project.
Better performance. For faster startup, VocalSynth 2 renders effects to disk while you edit the mix, allowing you to start-up faster. Better performance in particular, gives you more flexibility in how you arrange your chain. To see how performance changed, switch between the old and new VocalSynth 2 versions in the TTS Creator.