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The interface, while not a revolution, has been overhauled to reduce the amount of clicks it takes to get a simple vocal sound up and running. When you’re ready for more, the advanced user will have access to a number of other tools, from Velocity curves and an FX limiter for stacking vocal effects, to built-in presets and an FX designer. You can even link VocalSynth 2 to your Neutron or Ozone fx and get instant access to a variety of vocal-processing effects.
When creating vocal soundscapes, you’ll use Vocalsynth 2 to add so much additional dimension to a vocal track. No longer a victim of the songwriter’s limitations, you can really treat vocals the way that you want them to be treated. The six voices that VocalSynth 2 provides allow you to layer, harmonize, unison, or octave with a variety of pitches. And even though it can be difficult to orchestrate effects across multiple tracks, VocalSynth 2 gives you the means to do it by easily linking multiple fx to multiple vocalists.
Anemone is a fun way to get a quick view of how each part of a mix can be influenced by the different vocal engines. While the mapping iZotope provides will clearly show you how the effects are connected, Anemone makes it a little more direct. Plus, it lets you see how the vocal dynamics will be affected by parameters like freq and bitrate.
Again, I think its a cool feature but wish it could be slightly more flexible in its calculations. For example, if the audio to be analyzed is already normalized, then there is no need to run VocalSynth at any time. This seems to make the engine a little less robust than it could be for non-normalized data. I have even tried to force a normalized clip and obtain results that were only as accurate as were the original values, and it still had trouble clipping at times.
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In addition to this, weve already announced that we are working on a new effect. No, not another chorus. This one is very different, and should work very differently. Check out the forums for more info, or head over to the iZotope VocalSynth Nulled forums to get full details. Stay tuned, and keep an eye on the iZotope blog for more info and reviews.
VocalSynth is a great all in effects processor for vocals, especially when you want those robotic vocal effects like Vocoding, LPC processing, Talkbox voices & synthetic harmonies. There isnt extreme detail when it comes to tweaking controls on the modules in Vocal Synth as iZotope has simplified things to just 3 or 4 controls on each module, which is not a bad thing as the result is still very good. It’s hard to compare this with other plugins in the market as there really isnt an all in one solution like this.
And my personal favorite, VocalSynth has 5 module types that work great together, unlike the old version, where they could get annoying. VocalSynth 2 also gives you the ability to change the presets based on the different modules, making it easy for the user to choose which sounds they like best at any given time. The 5 modules are Vocoder, Compuvox, Polyvox, Talkbox, and Biovox. Each module is very flexible and offers a wide range of sounds that are easy to achieve. Vocoder is typically the first module you are given. It allows you to change the character of the vocal sound. You can work with the vocoder for the sake of acting like a vocoder or you can delve deeper into the option settings and make some cool sounds.
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Main benefits of iZotope VocalSynth
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What’s new in iZotope VocalSynth
- New “How To Use VocalSynth” videos explaining the use of the plugin as well as other new features such as improved loudness, panning and width
- New performance improvements on all Mac operating systems
- Hardware-Accelerated Native UI for OS X Lion & OS X Mountain Lion
- Multi-Channel support for 64/32 Bit operating systems
- Improved Interface for OS X Lion & OS X Mountain Lion
- Threaded Offline Processing support for OS X Lion & OS X Mountain Lion
iZotope VocalSynth Features
- 3 Vocal Synths
- 3 Effects
- Sample Player
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