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The iZotope users are well used to a workflow based on a system of preset, patches and chains. VocalSynth offers all these concepts. The first major improvement is the ability to easily create chains. They are like presets, they contain sequences, sampler sounds, loops and more, but they are organized around voice. But you don’t need to create your own chains. VocalSynth 2 will automatically create presets from existing chains and sequences based on the actual voicing of the voice you are using. This will save you a lot of time. You can even choose from a wide range of tones, effects and sample effects.

You are probably used to having your FX and preset settings easily accessible. Some of you might also have the FX Parameters app that comes with VocalSynth. We created a similar app called FX. You can even leave VocalSynth and switch to FX. FX can also create presets from existing FX sessions.

The new stream editing allows you to move and copy audio elements to and from the effects chain like you’re used to. You can use DSP effects to insert audio into and out of your chains, and you can even switch between them using the FX Routes button on the top of VocalSynth.

The Mix-to-Mix function is another interesting feature of the VocalSynth that has been frequently used in music production. This feature allows you to export the audio of the VocalSynth to the Master track. Doing this allows you to create a vocal version of a loop or take out any noise that is present in the vocal in the process of creating the mix-to-mix for the song. The mix-to-mix can also be controlled using a volume limiter on the output.

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iZotope has also been hard at work on VocalSynth’s main component, the real-time synth engine. This new synth engine has been completely overhauled and is now much more powerful and more efficient, improving the sound quality, CPU demands and overall usability of VocalSynth. Existing users will most likely notice an immediate sonic enhancement. Some of the most important new features of the synth engine include:

This is what sets it apart: iZotopes end-to-end Parametric Equalisation (P.E.Q.) feature. It applies a host of parameters to adjust audio signals as they pass through the vocal engines. Multiple bands of control are available over early reflections (early, mid, and late), the compression ratio, threshold, volume, attack, and release. These allow for more control over midrange output than would otherwise be available from the original Equaliser.

The Vocalsynth Engine contains a Choice of Modules function to give you more creative control over what you hear. Effect Modules can be moved into any position, so you can alter their interrelationships to suit a specific workflow. As you move modules around, the same progression in sound occurs.

The function and effects of the Chorus and Ring Modulation modules are straightforward, and similar to their counterparts from VocalSynth 1. You can play with their parameters on the fly, and a custom preset can be set up via Set Source function. This lets you save up to 16 presets and access them quickly. The best way to learn how these work is by listening. Simply turn them on and start rocking.

This vocal effects processor uses wavetable synthesis to provide users with eight vocal engine types and five vocal effects (Delay, Compressor, Chorus, Echo, Reverb, and Stutter). VocalSynth 2 augments the features and usability of its predecessor. Added to the mix are new vocals, and three midi control routes (output, Send to VR, Send to Guitar Rig). Virtual Remix Mode lets you remix effects in real time.

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Who Uses iZotope VocalSynth and Why Is It Important?

Note that iZotopes analog harmonizer is only part of a composition. Its a simply a single articulation of a sound and for this song, Ive done the harmonies in digital mode for compatibility with the software. Its up to you to dial in the voicing to suite your needs.

Next, lets use the Audio Sequencer to find the main pitch for the first harmony. If you zoom in on the Audio Sequencer you can see that iZotopes algorithm will try to find the closest match with the vocal. If you change the Pitch knob, the algorithm will adjust the number of steps to find your note, so if you cant get exactly the same voicing as in the vocal, setting a lower number will yield better results. Set the pitch to match that of the vocal, under the control of the Pitch knob. Pressing the next step button will take you to the next note in the harmony and repeating the process will go through all of the notes.

In the Video below, Notsat from moduscreative demonstrates how to record and edit looped phrases to create stunning harmonies in seconds. If youre a producers club, VocalSynth is a great way to make unique and compelling harmonies with ease. You can pick up the VocalSynth Video Step by Step Tutorial here and read more here

The product may be returned for a refund or replacement if the product is defective. Defects may include, but are not limited to, security bugs in the software (including any security vulnerability identified through third-party security research), incorrect display of product information on your computer, errors in the documentation, a misunderstanding of the agreed scope of project that you were hired to do, or time limits of your client or employer that prevent you from giving the product the test it requires. iZotope may also reimburse the cost of return or replacement products in all but the following cases: (1) the product was sold to you by the manufacturer (as a direct, physical sale); (2) the product is defective and returned to iZotopes; (3) the product was given to you by a third party, such as a teacher or customer, but the third party retains ownership of the product; (4) the product was purchased in the United States, Canada, Australia, New Zealand, or the United Kingdom; (5) the product is an Apple Macintosh Product; or (6) the product was purchased with a Creative Commons license.

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